VISUAL ARTS PROGRAMME
DLR Arts Invites Submissions to Research, Develop and Write a Visual Arts Policy
DLR
Arts is delighted to invite submissions to research, develop and write an 8 year
visual arts policy for Dún Laoghaire-Rathdown County Council Arts Office.
The budget is €20,000 (with an additional €2,000 allocated for expenses).
The closing date is 12 noon on Wednesday 2nd December and only postal applications
will be accepted.
For more information
please contact Carolyn Brown 353 (1) 271 9532 or cbrown@dlrcoco.ie
Visual Arts Policy - The Brief
Dun Laoghaire Portraits - An Exhibition of New Work by Gary Coyle
Concourse,
County Hall | OCTOBER 30 -NOVEMBER 15 2009

For
the past few years while going about my daily business in Dún Laoghaire,I
began to imagine what it must be like to make drawings of some of the people that
I encountered. This came as a surprise, though a keen fan of almost all forms
of visual art, I have never personally been interested in depicting the human
form. Anyway, this idea remained in the back of my mind as an idea never acted
upon, until I applied to the Place and Identity Public Art Programme, which provided
the impetus. In total there are nine portraits, all the same size (145 x 101cm),
format and medium, charcoal on paper: and all made in the same fashion, initially
working from photographs, an image is drawn and then erased, drawn and erased
and hopefully over time an image will form. The sitters are of all ages and from
every walk of life, eight males andone female, which is an imbalance I intend
to redress in the future. - Gary Coyle
Exhibition Flyer (PDF -246kb)
Sodium Bring Their 'Anaesthetic Intervention' to the Streets of Dun Laoghaire
ANAESTHETIC
INTERVENTION | OCTOBER 1-10 2009
www.sodium.ie
Transforming The Shop Fronts of Dún Laoghaire Into A Dynamic Exhibition Space
SODIUM
presents 'Anaesthetic Intervention', a collection of diverse artworks positioned
in site specific locations throughout Dún Laoghaire town. This FREE exhibition
will open on October 1 and run until October 10. Art Maps, which will guide you
along the exhibition route, will be available to download on www.sodium.ie
or can be picked up from Pavilion Theatre, local DART stations and shops.
Through the use of local shop fronts and prominent sites of business and public spaces, including a phone box on York Rd., 'Anaesthetic Intervention' will bring an exciting visual element to Dún Laoghaire town. The goal of this project is to transform selected sites into dynamic exhibition spaces. This in turn will provide an opportunity for the general public to experience art outside of a conventional gallery environment. A key feature will be the strategic placement of work so as to create an interesting dialogue between the art, the site and the viewer.
'Anaesthetic Intervention' is the latest initiative from the artist collective SODIUM, which formed in 2007 with the goal to set up and support projects, exhibitions, collaborations and each individual's art practice. This particular project developed from an awareness of how similar initiatives have created a 'feel good' factor within communities.
Pick up an Art Map and discover all that the streets of Dún Laoghaire have to offer with this unique exhibition, 'Anaesthetic Intervention'.
Supported
by Dun Laoghaire-Rathdown County Council Arts Office
For further information
please contact
Michelle McCarthy | Corkscrew Communication
+353 (0) 87
234 8356 | corkscrewcomm@gmail.com
or log on to www.sodium.ie
Sleeping Fields - Visual Art Installation
by Sinead McGeeney in Marlay Park

Sleeping Fields - Visual Art Installation
by Sinead McGeeney in Marlay Park (PDF File - 191kb)
To view photos of Sleeping Fields by Sinead McGeeney and workshop participants go to www.sineadmcgeeney.wordpress.com
The Concourse Installation Programme
The
Concourse Installation Programme invites artists to make work for a non-gallery
context, within the civic space of Dun Laoghaire Rathdown County Hall. This programme
has been running successfully for nearly a decade. The Concourse Space has always presented a particular challenge to artists. The strong architectural form in the centre of a local authority building forbids the kind of neutral comfort a white cube gallery, or a traditional exhibition space pertains to permit.
Conceived from the start (1998) as an installation programme commissioning new and experimental work, artists have never been bound by curatorial criteria. However, like any site-based work, the site itself – in this case the Concourse – becomes at the very least, the frame of the work and it seems to be near impossible to separate the artwork from its context. To an extent an ability to take on, or to work against – to resist – the Concourse, either symbolically or physically has been a determining factor in the success or failure of the individual artists’ installations.